Shopping Out Your E-Book: Are you covered?


Hi Writers!

I discovered an interesting surprise today. Many of you are aware that my first E-Book, Stealing Time released just two days ago. A friend told me yesterday that it was up on Amazon. This seems obvious, I know, but I was paying attention to sales from my publishing company’s site rather than thinking about other venues. Today, curious as to how far across the boards I could find my book, I did a little bit of digging. It is a wake-up call to see how many markets a book crosses to get it in front of the viewing public.

Some might view it as checking out the competition; but that is an incorrect assumption. Perhaps the venues compete with each other, but for the author having your work available across a wide range of venues increases your chances of being picked up by a new reader. That is good marketing at its simplest form whether you are a self-published author or with a traditional company. Make sure your readers or even just the curious can find you with minimal effort–every click is a potential sale. So where can you find a copy of Stealing Time? Check this out!

Stealing Time on Amazon only $0.99 cents!

Stealing Time on Smashwords only $0.99 cents!

Stealing Time on Barnes and Noble only $0.99 cents!

Stealing Time on Manic Readers only $0.99 cents!

Stealing Time on Musa Publishing only 0.99 cents!

I only covered five venues, but you’re getting the idea, right? Make sure that your readers can easily find you across multiple websites. Market wherever and whenever you can.

Thanks for reading, now go and check to see where your readers can find you, and add a site if needed. Remember to come on back for Write to Pub Wednesdays!

Cheers!

C.K. Garner

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Write to Pub Wednesday: Traditional Publish or Self Publish?


That moment of self realization has come; you are ready to begin the publishing process. So self pub or traditional? Holymoly, this is a huge subject, and lately all over the news and the Net. How is a writer on the verge of discovery to choose which route to follow?

Let me begin by saying that my coming release is traditionally pubbed. That said, I’d still very much like to try my hand at self pubbing, too, just to have that experience. It is not whether one is better than another; it is more which one works for the present situation. It is about achieving the balance between life as an author and commitment outside a writing career. Choose the one that  suits your current position best, keeping in mind that the other stepping stone awaits should you decide to walk that path at a later date.

So why did I decide on traditional over self-pub for my book even though the traditional process takes longer? Chalk it up to inexperience. I can write, am a decent fact finder and edit with some success; but technology? Not my strong-suit. I decided to learn from the experience of going the traditional route and hone skills already present. Now, I have that knowledge to build on for self-pubbing later. Going initially with my strongest skill-set; learning and perfecting those before delving into self-pub is akin to an athlete changing their ultimate competitive sport. Could a swimmer make the transition to competitive rowing? Probably. Will the skills I’ve learned and perfected from traditional publishing transfer to self pubbing? Absolutely.

Balancing a day-job along with family needs left  little time to commit to another venture–but commit I did. While researching traditional and self-pubbed authors, the importance of scheduling time to write vs other needs cropped up time and again, mirroring my own situation. Having elements ready to go is like having a pre-made lunch packed for a long haul; very convenient and ultimately saves time and money.

Mastering the technology of self-pub appeared daunting for this newbie; I can barely program a cell-phone, let alone design cover art, format a manuscript into shape for an eBook or printrun, not to mention self-editing vs other people’s eyes making a huge difference in quality of the final product. The traditional publishing house was golden because they provided technical items such as no fee in-house editing, free cover artist, access to house-only master classes taught by seasoned professionals to better perfect writing and marketing skills, guides for style and content, a built in network of editors, and other authors for mutual support. All this leaves an author free to decipher the wonders of social media and set up a marketing platform for the book release. Did I mention that my publisher helps with that, too? The big picture here is getting a book to publication takes a commitment of time no matter which way you go. A traditional publisher can help free up your valuable time by providing a variety of services.

There exists the option of paying for most items listed, but funds were dear, and time to explore providers was being sucked up by my research for how to craft a better story, setting up and sending in a manuscript and to whom, learning about submitting to a big house vs a smaller house, and avoidance of predators within the business. Are you becoming aware that the true price of getting your work published involves a dogged perseverance and an Iditarod Musher’s drive? Good! Then we’re on to the next leg of our trip: Self Publishing.

You have some tech skills, are comfortable enough in the social media-sphere that set up comes easily, have a manuscript that looks like it is ready to go, and possess some knowledge about photo-shop. Sounds to me like you are a candidate for self-pub road-trip. There is a whole host of information about self-pub how to sites on the web,  in books, and even indie groups to help in setting it up. As with traditional publishing, there can be a lot of footwork involved in tracking down the right elements needed for your self-pubbed book, but there are plenty of authors who boast great success at it. Self published books are a hot ticket, if you do the research and put in the time to do it right, you can have your work in your readers hands the second you hit send. But wait! Before you hit that golden button, lets time out from the publication race to discuss proper execution of form.

What are the drawbacks of self Pub? The foremost gripe about self pubbing is the number of mistakes that appear in the final copy. Self pubbers need to allot plenty of time for rewriting. Run that manuscript by a handful of friends for critiquing, maybe join a writing group, hit up an old teacher for advice; anything to whip your manuscript into shape and catch errors. The downside of these books is that they have a reputation for poor content. I say rubbish to that. It isn’t a lack of good content; more it’s a lack of proper editing. The value of an outside editor is that they aren’t in your head.Your work comes across to them in an entirely new perspective because it is seen through different eyes. If your invited beta reader doesn’t get it, neither will your future audience. Time to chop sections that don’t work and rewrite until the meaning is clear.

Which brings us to the finished product–or does it? You have created your cover art, edited and polished your manuscript until it shines, consulted with indie groups for content and formatting, chosen where you are going to upload it for release day–what did you miss?

Marketing. Second to editing, for a self pubbed author, the trail of a social media platform through keen distribution plan is key to hitting a home run. In this arena, self pub is no different from traditional pub. Your name is your brand as much as your product, so getting it out there is what will make you visible to future customers.

So, which path is the best for you? If you research, train, and map out a good plan, there are multiple ways to reach the summit. Consider both types of publishing as valuable components in building your road. The short  answer is; each writer is unique; so their paths in publishing will differ too, but both have the same goal on the journey from writer to published author.

Odyl and Facebook Marketing: Worth it for Authors?


Image

For my next act I will gargle peanut butter!

What does it take to get your FB page noticed as an author? How can you market your brand name as an author and make book(s) more visible to fans and potential new readers?

Here is a company that appears to have a solution. Odyl has its eye on authors. From what I can see, it markets not only to the big six, but also to smaller publishing sites and indie authors through a fully integrated Facebook platform. What does this mean for authors? Take a look at what author J.T. Ellison has to say in a guest post on Odyl website. She’s not the only one touting its virtues. I scouted around the web and found several authors using Odyl to boost their visibility and sales.

I’m interested in seeing what it might cost for such a grand scheme. Sent a note to Odyl to have a look at prices and see if they have something manageable for new authors. I’ll let you know the results.  Have a look at the article from AllFacebook.

Facebook Marketing Tool Odyl Boosts Authors

Submitting without submitting: Becoming the Hunter to Get Published and Avoid Predators


Howdy readers.  So, the time has finally come.  I’m shopping my short story around for publication, checking out various sites for submission into the hallowed grounds of first time Publication.  I’d like to say that I found a whole bunch of opportunities for legitimate submission, great gobs of contests, and publishers just aching to grasp my tiny tale and get it into print at first bite.

The truth is, it wasn’t very hard to find the welcoming trail bread crumbs. However, the more I looked into things the more confused and wary I became of the offers. If it sounds too good to be true, is it really? Are those sharp teeth and claws I spy on those happy websites with their clutching hands?

To wit: I saw calls for submissions and contests where the fee to enter is $15.00 (US) and the awarded prize is $20.00 to $60.00, but only if yours is pick of the litter. I also saw publications that were foreign, inviting submissions for free, but with no information to be found, and several US companies already on the watchdog sites of Preditors and Editors, Absolute Write, and Writer Beware lists as badguys.

It is typical for Indie Publications to charge an entry fee for their contest, but they trend toward the manageable, which is good news.  Some journals and magazines indicate calls for submission with no fees involved, at least not that I saw outright. To clarify whether these would be a good start for a noob, I headed over to Writer Beware (WB), that great website like an eye in the sky keeping new Writers and Authors out of  the clutches of the Damned Unscrupulous Malicious Publishing Scammers (DUMPS) for any advice. (yes, I just coined that acronym this evening!)

I learned to research EVERY SITE because the Dumps monsters will bite the unwary and uneducated, and received advice to not click on any links within sites, but instead do a direct Google search (http://www.blahblah.com) to confirm information on a prospective publisher.  I learned that publication of a short story could be equally good or a nil sort of venture, depending on the publication.  Here’s the link to the page where I questioned WB, and their responses: 2011-Writer Beware Retrospective  Under 2011 WB Retrospective discussion, scroll down to comments to C.K. Garner (se Moi!) asking a question, and read Victoria Strauss, Author and Co-Founder of Writer Beware and Grace Peterson of WB Blogs, answers and advice.

Once in their website, I highly recommend clicking around. The advice contained in Writer Beware is an invaluable resource for you. Just in case you are skeptical, these fine folk are part of the Science Fiction and Fantasy Writers of America.  They do this as a community for free, to aid other Authors and Writers. So check them out, you can lose the monster DUMPS and get some sound footing to navigate the path out of  the woods!

We must, do the assignment of protecting ourselves by asking the questions and then following through to find the answers, and using the proper resources before submitting to any contest, or Journal, or publishing entity.

So, how well do you know your intended publishing company?  When you are ready to send in a submission, have you done research on the Publishing company? Did you check with Writer Beware first?  Did you run them by Preditors and Editors, or check with Absolute Write? Did you Google the company to see how much you could find out about them, and find other Authors who have used them?

I need to sign off now.  I’ve got a lot of work to do before I send off my short story for submission.  Good luck to you, and have fun researching those prospective publishers! Here Goes…

C.K. Garner

Can you take the Heat?


A good Critique hammers out the bumps in your manuscript!

If someone asks for a critique, or for you to go over their writing, should you?  Would you be kind or let ‘er rip and tell them what’s  not working for you? On the receiving end, how do you handle being Critiqued? Today, I read a  manuscript from an acquaintance, then related what I felt worked and what didn’t. Instantly I became public enemy #1.

In nicer words than those here, I pointed out a lack of tension causing the story to flag and my interest to wane. I tried for constructive criticism— because I want very much for my fellow writers to keep working at it and not give up– applauded parts that flowed to the concept of the tale; but mentioned disconnects between actions of the characters and the reader trying to comprehend the flow of the story. The key here is, what I took in was what the writer conveyed in their manuscript.

The writer decided I am too much of a novice to critique them and could not see the picture they conveyed. Au contraire; I was picturing Giovanni Ribisi, one of my favorite actors, in the Protagonist role, and I tried to see scenes in full realization as they stuttered past in my mind, Giovanni looking for direction. I presented a few suggestions that might improve the MS, but the writer rejected any alterations, fearing tidier segues would change it too much; if they introduced more  feeling of the place, tried to build a bit more on the characters, then it wouldn’t be their story anymore. Topping off the list of backpedaling the writer expressed they shouldn’t have to personally explain each scene for a reader to get it.

On the last gripe I agree. The writing itself should speak to me. Setting, conflict and resolution should convey to me, the Reader, what is happening in the story. Tension should keep me wanting to turn the pages to find out what happens next, and each scene should ease into the next instead of me flipping back and forth to find a connection; bringing to mind Giovanni: all apologetic, his character says, “I’m sorry, but can you point me to the nearest segue?”

I have come to the conclusion that some folks don’t really want a critique.  They want you to read their work and tell them it has points so well-formed they stab you in the eye while perusing the brilliance of their  DARLING bit of fluff, and now you must wear an eye patch and become a pirate, you are so blown by the wave of their stature.

Give me an effing break.  Better still, don’t ask for a critique if you can’t take the heat.

Here is my take on how to handle a Beta Reader‘s POV: Welcome the harsher voices, the gulls of Criticism if you will; their opinion is as valuable, perhaps more so, than the sweet voiced variety of Critique.

The best Authors and Writers, or at least my favorites, are happy to have people read and share their thoughts of the characters and settings and how these work with each scene.  Equally, they welcome the point where you fell asleep reading their  tale. This is because they want to kill that bit of needless fluff  to make it read better, and take their writing to the next level.  They crave, I crave (!) to know what interferes with the flow of the story, where the bogs are that suck away the action, when it is too candy coated and needs added complexity, or where the story has too much description and wants a good conversation between the prime characters, or even the comic relief to ease darkness, just a little, see?  A good Critique gives you possibilities.  

The best thing about encouraging your friends and acquaintances to read your work, to critique it, is that they are your first audience!  *applauds beloved Beta Readers* If you pay attention, really take their constructive criticisms to heart, you will discover that their eyes are invaluable, because they are not in your head. They are Joe Reader. If they get it, chances are your future audience will, too. If they are struggling to wrap their heads around a passage, perhaps you should revisit and make that concept clearer.

It is human nature to balk at criticism, but if we unplug from our initial negative reaction, we open ourselves to the Reader, gleaning that pearl of wisdom that makes our story have luster. So, leap into that boiling cauldron with a smile. Find some Readers to critique your work, then tell them to please, turn up the heat, you can take it. Your work will be better for it, and your naysayers will at the very least respect you for being able to swim in the deep end of the pool of magma.

Well folks, my manuscript calls…a great friend of mine red-inked the heck out of it…for which I thank her!  I’ll take the advice and change what needs tending, toss the rest…that, too is valuable. 🙂

Keep writing!

See You Around,

C.K. Garner

And the Blog played on…


Coffee Break!

This weeks Blog is dedicated to Tunny, who gave me props for focusing more on the Writing of my manuscript and less on my Blog.  So, it is a little ironic  that I’m here blabbing to all the world about it, but it got me thinking about all the ways in which I procrastinate about hitting the keys.

If you are like me, it’s really hard to make yourself write more and visit with folks less.  There always seems to be one more person you can share with, one more funny email you can respond to, eight more things you could Blog about, someone who needs an answer to a text message, etc., right?

However,  all the texting, visiting or emailing with any of those wonderful people are sucking up time you could be spending on your manuscript.  You wanna get those idea down on the page?  You need to detach a little from your electronic umbilical cords, and tell everyone to sit tight, you’ll get back to them after you’ve written the next chapter.

Now that I know I can begin a story, craft a middle, and have a notion of an end, from where I’m at now, the point is to COMPLETE my manuscript .  Completing my manuscript needed to become, and has become more important to me than socializing.

If I spend a majority of time Blogging, my manuscript writing time suffers for it, period.  But, because it is my Blog about my writing, it’s okay to take a break now and then and Blog for a little while.  Did y’all catch that, NOW & THEN .

I am Blogging now because I took a bit of Writer’s Break.  I was on a writing roll for the last several hours, body starting to grow sore and stiff, and my eyes feeling a bit dizzy.  Good time for a break and a cuppa Joe.  So, I decided to check my email and I noticed a comment on my Blog.  This being my break, I allowed myself to follow it, and here’s why:

I’ve a new rule about breaks:  During a Writer’s Break, all socialization and attachment to the electronic umbilical cords must be solely to people who are Authors or Writers.

I know that other Writer’s understand the need to be mostly absent from the world so you can write, and you don’t expect me to Blog or contact you every day.  You expect me to have my nose to the proverbial grindstone, churning out the pages and mixing my metaphors.  I expect the same of you…except the part about hashing up the metaphors.

One of my favorite Authors, Seanan McGuire said, “Writing a book is a solitary exercise, actually finishing it is not.”

She is referring to all the people who helped her in getting her manuscript through all of the stages of proofing and the many people it took to read and reread and hack out the stuff that she couldn’t see through to edit out herself, along with those who hosted her when she was writing abroad, and folks who simply listened to her whine.  Notice that even on the home stretch there is still a lot of writing to do?  I highly recommend McGuire’s Blog  50 Thoughts on Writing for her best Writing tips.  Check it out.

So, our writing Blogs are important for us as Writers aspiring to be Authors.  They are a place where we can get writing advice when we are crumpling up the 20th false start.  They are a safe venue for venting our frustrations and cheering ourselves and each other on when the going gets tough and the tough want to quit and take an aspirin and a shot of whiskey, or to offer the same to another Writer in need.

All of this until the day we become an Author.  That’s when our Blogs become part promotion and part lesson, where we answer questions about how we got there to our fans, and why we didn’t off ourselves instead to our worst critics.

Right.  Time to get back to my manuscript, folks.  Thanks to you all for reading this Blog, and may you get right back to your manuscripts; my coffee is finished and this Writer’s Break is over!

What?  Are you still here?  We’ve got work to do!  Ciao,  C.K. Garner  😀

On Writer’s Blog


I'll be around...

Dear Blog,

I’m afraid I owe you an apology.  I have been neglecting you lately, I know.  Like a houseplant or a pet you desire interaction, and must have your nutrients and my time to be happy and thrive, and I have been spending my time with a different love.

This may be hard for you to hear, but I feel I must say it, just get these guilty feelings out so I can clear the air!  So, yes, I have been neglecting you in order to spend quality time with my manuscript.  She’s so creative and beautiful, and I find that the more time I spend with her the better she gets, and the more rounded a writer I become.

So, I just want to say that our relationship has to be whittled down to, I hope, a mutual friendship.  I just need a little space to work on my relationship with my manuscript and see where that will take me…Us.

Just remember, you can rely on me still, as a friend, a shoulder to cry on, whatever you need.  I promise to visit periodically, but I don’t feel it is fair to you to stay in a close relationship…for now.

It’s not you, it’s me.

I’ll be seeing you around.

C.K. Garner

Get into Character!


What a Character!

Do you start your story with all of your characters already written out?  Do you know how they will act, what they might say?

I am a person who sucks at dialogue; but now, because I’m dabbling in character creation, I feel like I’m learning, or they are teaching me… it is as if the characters, once created are speaking for themselves, each with a distinct voice to suit his actions.

The fun part of writing is pushing the situations just little bit, or a whole shove from the norm, at the same time as  trying to keep it real.  The characters can help you along, or you can create a character grid, and make sure to follow closely.  What might a character do?  How far should you push them?

For Example, if I think a character is vain, I really get silly with that vanity, i.e., I try to take it way beyond what a normal person might do.   I’ll have them missing conversation, irritating people, and losing weight because they are so engaged in their reflection in the dinner plates they forget to eat!  If a person is clumsy, I have them tripping all over the place.

Are they an evildoer?  They are going to take a shot at your baby sister’s baby bunnies, drag the key down the side of someone’s car, blow up pigeons for fun and chuckles, and generally wreak havoc.

Same goes for nice.  Made of sugar, but sometimes spice is the answer there.  As for the middling ones, it helps to shove them over either edge to see how they will handle the drop.  Sometimes a character will grow if you push them, this is especially true if you shove each into the other!  The characters will tell you what they will and won’t do along the way once you start getting them down on the page.

I like to take them to extremes because it makes the story better, even if I tone them down later.  It’s just fun to have a character go beyond the bounds of what is the accepted “norm”.  The lengths to which you can manipulate your characters into a twisted tale are endless, and even impossibilities are, well, possible if you decide they are real enough to write them down!

For the rest of the month I’ll be catching up on all of the possible goofs I have missed in adding the new characters.  I want a seamless blending where I have added them in, which means line by line editing.  I take the time when doing this to catch dropped punctuation, spelling errors, grammatical no-no’s, etc..

It is also a good time to check and see that your characters are showing, speaking, and acting it out rather than you telling the story.

Believe me, no matter how many times I go over it, I catch a couple more errors, and kill them off, hiding the evidence, so that by the time I get to the end, I will be ready for the next batch of revisions from Friends, Beta Readers, Agents and Editors.

I recommend you  try adding a couple of characters and see what happens with your story.  I’ll bet it grows in ways you didn’t expect.  Have fun playing in your world, the company is great!

C.K. Garner

More On Audience:


Don't know who your audience is? Find the perfect fit using character and content!

I commented to a recent blog:  Foetal Positions in an attempt to explain why I blog to an audience, but it got lengthy, so I decided to expand on the manuscript portion of my answer here.  For me, content  and character are  high on the list in choosing my audience,  and you might consider examining this for yourself if you elect to have an audience at all.

I thought I was writing a fantasy novel for adults, but it may be a young adult novel instead, or perhaps a young adult dark fantasy book, due to its content and character development leaning in that direction.

Though the situations may be a bit dark,  young people live in a much harsher reality than society gives them give them credit for understanding.  By the time they are teens many are exploring darker imagery.   However, beyond the darker side of life and pushing boundaries, my manuscript is growing into a coming of age story on its own, but I think that it can be enjoyed by adults, too.

Now, this was not really my initial plan, but rumor has it there is an audience for YA fiction, and lets face it, who amongst us wouldn’t want to have our scribblings published, perhaps be successful enough at the game that we can, if not quit our day job, ease up on those hours and devote more time to writing?

I have another manuscript started, a horror novel.   This second enterprise is definitely adult in content, moreover involves murder, sex and violence, and it is already holding steady in the adult audience position of its own accord, the characters dealing with adult situations more graphic than in my fantasy novel, even as they grow through solving the mysteries and murders, and evolve in their character arc.

My audience with the first novel, when I’m published, will likely be adults at first; those who have guided me on my journey, and those friends who will buy one to show support, but I’ve a feeling my young adult audience will trickle their way through to find my bit of work, and with any luck, come back for more.

The second novel will pull in a mature audience, and have a following in perhaps both the horror and dark fantasy genres.

Here is one thing to keep in mind when writing to your  audience, and your intentions and responsibilities toward them:  This quote by agent Jon Sternfeld“All genres are mysteries…” 

What this means is that you, as a writer are attempting to engage your audience, your readers in a play of, “Hey, there’s a mystery to solve here,” or a dilemma to overcome, etc., and you promise, as an author to give them a bit of a peek, a chance to anticipate, participate, and unravel the clue, to care about the characters, and solve the problems presented, regardless of genre.

http://www.guidetoliteraryagents.comblogAgent+Jon+Sternfeld+On+Engaging+Your+Audience.aspx

Batton Lash in Good Company at ArtLabs Studio


Durante el panel de Troma, comentando sobre el...

Batton Lash: at Troma Panel

Batton Lash, The Author of Supernatural Law and one of the writers of Radioactive Man comic strip among many other hats (mentor and friend to C.K.Garner among them) launched his new studio this evening!  See his comic book series here: Batton Lash/Supernatural Law

Located within ArtLabs Studio on San Diego’s famous Adams Avenue, a street long known for its antique galleries and Street Fair, Lash’s new studio found perfect company with four other artists who share the ArtLabs Studio space, and whose works were featured on every wall.

The opening of the new studio coincided nicely with the annual Art Around Adams event, here’s the link:
Art Around Adams

A constant crowd of folks flowed into the Art Lab building from the two mile long Art Around Adams Walk, which features art and music incorporated into local businesses, a truly unique format in San Diego, checking out the art on every wall, chatting with the artists, and sharing champagne toasts all around, accompanied to live music.

I had the opportunity to meet and chat with James Hudnell author of “Aftermath: Humanoids” who gave me a great mini lesson about “theme” and “character arc” in writing, which I will be thinking about as I continue scribbling my own manuscript, you can see his work here: James Hudnell Aftermath: Humanoids.  I enjoyed the fine company of one of Batton’s long-time artist assistants, the charming Madame Melissa, as well as meeting Batton’s famous wife, at least famous for all Geekdom and comic book fans, Jackie Estrada.

Though though you may not have met her, if you are a Comic-Con International fan, you’ve likely seen Estrada’s name and work.  Jackie is the administrator of CCI’s Eisner Awards, which represent an Oscar equivalent for best of the best in the Pop Art and Comic industry, and has for years been the editor of several Comic Con related titles as well as holding the position as co publisher of Exhibit A Press.  So, this was a night of high falutin’ company indeed for this very new Writer!

Hats off to Batton Lash and Jackie Estrada; pioneers of the small press industry!  Congratulations on the new studio!

C.K. Garner

Ode to a Brainstorm


storm cell #9

Brainstorm!

A couple of Blogs back I promised that this week would be add a few new characters week for my manuscript.  I played with a few ideas in my head, none of them bearing real fruit until I had a waking vision.  I was munching my dinner in my car when suddenly my mind opened up with a great picture of  a creature; a scary, but beautiful night creature.  Yeah, yeah, I know you’re all thinking Vampire, right?  Nope.

I have been re-reading Harry Potter and the Sorcerer’s Stone, which I mention last Blog.  Ala J.K Rowling‘s experience on a train, no pen or paper handy with the idea for Harry Potter in her head, there I was with no pen or paper available, only my mind for a page.  To make matters worse, my dinner break was ten minutes from finished.  What to do?

I brainstormed that new character in my head for that ten minutes until she looked completely fleshed out and real.  I drove my car back to the job, thinking hard about those ideas of her made whole, got out and locked the car, walking a little blinded by the vision in my head. I was so desperate to hold onto her.  I could see her eyes becoming more and more real.  They haunted me until I was through the doors of my work.

So, my vision stayed with me.   My lovely one grew taller.  She gained hair and skin and a lithe physique.  Her eyes were her best feature, but all of her, well, I think I’m in love, like a parent of a new daughter I just wrote into being…except I hadn’t written her down, yet.

By the time I left work, headed home in a happy, calm mixture of thought, she gained personality traits, had a way of moving about, something of her very essence was captured.  She now existed.

So, after a start with no paper or pen, last night I finally wrote her character into my manuscript.

I added this character so readers could connect with my protagonist better, see her through the eyes of her newly created friend.  I went further to decided how she looks, speaks, acts, and interacts with my main character and the others thus far introduced.

She worked like a charm but for one thing; I love the new character so well I’m afraid she’ll take over the story!  But, if J.K. Rowling’s Harry Potter could function well with such appealing characters as Hermione and Ron Weasley, okay, Ron was comic relief, perfect foil for serious Hermione, maybe I’ll be okay with this new creature just as she is.  And perhaps later on she’ll get her own story.  Could happen…

Manana I’m adding one more character to the mix, a villainous type, and perhaps two other minor characters for this book, that will grow into their own in this and the next book.  Yes, Virginia, there is a sequel to the manuscript I haven’t finished…yet!  I realized that to tell the story I have brewing, I will need more than one book unless I want it to be two thousand pages long.  Thus I’m splitting the tale as I write it into two sections.

I have yet again, through close reading of Harry Potter and a bit of knowledge about J.K. Rowling, moved ahead in my manuscript.  J.K. Rowling really does have a touch of magic…if you look into her first Harry Potter Book long enough, you will find everything you love about a good tale…and then you get to keep it and apply that magic hand to your own writing.  I could find it and keep it, and even apply it, you can, too.  Tag, you’re it.

Well, gotta add more characters, and work on catching them all up into the tale.  Cheers!

C.K. Garner

J.K. Rowling plays nicely with all the tropes and genres..


Our love worn copy of Harry Potter

I’ve been thinking about Harry Potter today in relation to writing my own novel.  I dusted off my son’s battered old copy of Harry Potter and the Sorcerer’s Stone by J.K. Rowling, abandoned now that my son is twenty and moved out into the muggle world as a young adult, and began rereading it, with an eye for what drives this little volume that started a worldwide reading frenzy.

After a few chapters, I caught up on a few things that I had seen before in many, many books happily read over the years.  At the most obvious, this is a classic coming of age story.

Harry has the ability to grow, and the reader, if he starts reading this as a child, will mature right along with him, can relate to him from every aspect of what it is to be a kid.  From what he is required to eat as opposed to what he wants to eat, from  the tedium of studies, to happiness with professors  he enjoys, and the schoolyard bullies, lurking around the corners, kids, and adults who remember being a child, can relate to him.

Then there are the friendships that develop as Harry gets to know Hermione Granger, Ron and the whole Weasley clan, and learns how to relate with the other students.  He goes from a lonely child to a boy with close friendships.

Finally, there are the adult figures.

Harry has absolutely no experience with adult characters beyond the Dursleys, and he has no reason to trust any adults.   But with the arrival of childlike, if intimidating Hagrid, Harry begins to see adults in a new light, and this will continue as he grows and meets Dumbledore, Professor McGonagall, and the rest of the cast, keeping in mind, he meets the not so nice ones as well, but chooses who he will associate with, once he has freedom of choice beyond the Dursley House.   Thus, Harry Potter comes of age before our very eyes through his interactions with humanity, or rather Wizards and Half Bloods and Muggles who touch his life, and change him mostly for the better.

Next, Harry Potter is a rags to riches story.   He sleeps in a cupboard, and lacks bedroom, pets, toys, friends, family and good inside or outside activity.  He has no one who sees or cares what is happening to him at the Dursley’s hands.  Creature comforts as simple as a decent bed and a good meal are denied him.  Just a couple of chapters in, he is eating savory sausages,  has a protector and companion in Hagrid, and finds a new place, richly vibrant and alive in contrast to his life with the Dursleys.  The money wealth is only secondary with all that comes his way.

Last, but only because this is such an involved subject, the tropes available just endless, Harry Potter is the classic tale of Good against Evil, and the struggle of our protagonist to learn about himself, the sacrifices his parent made, the eventual knowledge that his father wasn’t always the nicest kind of guy, the ambition to push forward and become a leader, albeit reluctantly, and the battle against the Ultimate Foe, one who goes after children…well, the need to choose between the good and the ugly and the middling ground in between lay in at the door of this classic Genre series.

So, what to do with this deluge of information?

I take it as a lesson that my novel doesn’t have to fall into just one category or subject arena.  Sure, it’s nice to bust out with something original, but the tropes laid down in stories past are still going because they are beloved familiars.  I can twist and tweak them at will just like J.K. Rowling did and does.  The good guys can become bad, the bad good.  The rich can become richer, and the poor stay poor, or the poor can gain wealth to no good end.  The lonely find a host of company, or just the reverse, find delight in the art of being alone.  It’s all up to me, and to you, the writers.

Blog while you write to promote your manuscript, and learn the ropes of publishing before you finish.


Interaction + Sales

Image by Intersection Consulting via Flickr

>There is a lot of advice about writing out there, but many sites fail to mention that you need to learn the ropes about publishing before you finish your manuscript.  Since I’m a new writer long the path to author, I was concerned when I got to the halfway point that I didn’t know a thing about how to get published once I have my manuscript completed and edited a thousand times.

Then I stumbled across Nathan Bransford’s Blog about Writing and Authorship. Bransford, a former agent for Curtis Brown, Ltd. and now an Author,  talks about what you need to do ahead of time, things you should be researching ahead of your completing a manuscript.  Under the title, “How to find a Literary Agent” you can connect to his straight talk about the work you need to do.  Blogging is a start.

You can read Bransford’s solid advice about how to begin, HERE.  Bransford champions learning about and beginning to promote yourself by connecting with other Writers and Authors and learning about agents before you need them…makes sense, right?  So let’s get Blogging!  Meanwhile, KEEP WRITING.

>Back to the Reason for the Blog: The Writing!


On Writing

Stephen King advises, "Kill your darlings" for better editing.

>Now that I’ve finished for the most part with creating a Blog and then transferring that Blog to WordPress Blog, I can get back to the parts I like!  Writing and Editing and Research for my manuscript. Yay!  That is today’s plan.  So, lets focus on tips for writing and editing.

I have a magic wand for you, Dear Reader, to use when editing! It is Stephen King’s formula for writing, then cutting out the clutter. This was good advice that he received from an agent after one of his manuscripts was, yet again, rejected.

Here is the formula King uses:   Second Draft = First Draft -10%

I read about the formula in Stephen King’s book, “On Writing “ recommended to me by Tone Milazzo, Author of Picking Up the Ghost , and Batton Lash, Author and Artist of  Supernatural Law . Thanks guys!

Much of  King’s book is a humorous tale of his background, and his life as a constant Writer before getting well published. But once you get to a chapter he calls “Tools the book really takes off!

The “Tools” chapter and beyond are some great, solid bites of getting your words on the page, and then editing, and to quote King, “Kill your darlings “.  What this means is, after you have decided you have edited out all you possibly could from your manuscript, after you think it is finished, do it again.  You do not have your final draft until you have killed the passages you think are “Darling”, i.e. your “keepers”, etc.  When you have rewritten your best scenes, then you are on your way to a better manuscript.

If you think it sounds nit-picky, try it.  Are there any adverbs you left in play?  Get rid of them and rewrite those sentences that contain them.  Do your Beta Readers (Also called Betas, people who read your manuscript before editor or agent) yawn each time they hit a certain passage?  Kill it!  Got a long tirade that really doesn’t move the story forward, or back story that doesn’t clearly have a reason for being there?  “Kill those Darlings!”  I’ll chat at you later after I’ve revamped my favorite passages.

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